(I found the Gamma math to be the same between the two different input devices) I was able to perfectly reproduce his results. In fact, I took his test a bit further and determined that the math in the Lift and Gain Primary Wheels is very different depending on your input device-mouse vs control surface. You know what?… the color correction math between a control surface and a mouse IS different! So I decided to follow the steps he outlined. He’s able to replicate this problem on-demand. My first reaction: There’s a problem with his systemīut as I read his post and his subsequent follow-up questions to people who responded to him, he’s quite lucid. If he balances the same highlight using a control surface and then lifts the Gain using the control surfaces’ Wheel – the color balance is maintained.If he balances a highlight using the mouse and then lifts the Gain with the user interface Wheel – the color balance gets thrown off.It makes no sense, right? But a recent Tweet by Jamie Dickinson to my Twitter account directed me to a forum thread he Got any thoughts on this? Gain with GUI vs panel Ĭlick on his link and you’ll end up at LiftGammaGain where Jamie poses a simple problem: Maybe DaVinci Resolve is changing its color correction math when I’m up on stage? What? How can the color correction math change when grading in front of a live audience? Except I recently discovered… maybe it’s not me. I’ve always chalked it up to a combination of nerves and being in a terrible color correction environment. It seems I’m making more ‘moves’ and feel a little sloppier than when I’m grading in the comfort of my suite. I often find that my carefully prepped material doesn’t quite ‘grade up’ the way I expected, when doing it live. The most intimidating presentations I give involve color correcting in front of a live audience
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |